The Royal Court Theatre is situated on
Sloane Square London. The theatre was acquired in 1956 by the English
stage company. George Devine artistic director produced new British
and foreign plays. It was his aim to create a writers theatre seeking
to discover new writers and produce serious contemporary work. He
produced John Osborne's Look Back in Anger in 1956, the first play
identified as being by one of the angry young men. A phrase
originally coined by The Royal Court Theatre press officer to
publicise John Osborne’s Look Back in Anger and then applied to
other young British playwrights and novelist of the time. In 1965
Osborne’s A Patriot for Me and Edwards Bond's Saved both had issues
of censorship, which was still enforce by the Lord Chamberlain
office. This necessitated the theatre turning its self into a private
members club so the productions could be staged. In 1968 theatre
censorship was ended.
Roots by Arnold Wesker, The Knack by Ann Jellicoe, Death and the Maiden by Ariel Dorfman | Ariel Dorfman |
Other noted production under Devine's
directorship, besides Osbourne and Bond, are works by Roots
by Arnold Wesker, Sergeants Musgrave's Dance by John Arden,
The knack by Ann Jellicoe and A
Resounding Tinkle and One way Pendulum by Nf Simpson. Subsequent
artistic director of the royal court premiered work by Christopher
Hampton, The Island by Athol Fugard,
Howard Brenton, The Girls and Cloud Nine by
Caryl Churchill, Hanif Kureishi, Sarah Danniels, Our
Country's Good by Timberlake Wertbaker, Attempts on her life by
Martin Crimp, Blasted by Sarah Kane, Mark Ravenhill, Martin Conagh,
MotorTown by Simond Stephens and Leo Butler. Early season included
new international plays by Bertolt Brecht, Eugene Ionesco, Endgames
by Samuel Becket, Jean Paul Sartre, and Marguerite Duras. In addition
to the 400 seat proscenium arch Theatre Downstairs, the studio
theatre up stairs was opened in 1969 at the time 63 seats facility.
The Rocky Horror Show premiered in 1973.
The Jerwood Theatre upstairs |
Over the last decade the royal court
has placed a renewed emphasis on the development and productions of
international work. From 1993 the british council has begun its
support of the international residency programme ( which started in
1989 as the royal court international summer school) and by early
1996 a department solely dedicated to international work had been
created. A creative dialogue now exists between innovative theatre
writers and practitioners in many different countries including
Brazil, Cuba, France, Germany, India, Mexico, Nigeria, Palestine,
Romania, Russia, Spain, Syria and Uganda. Many of these projects are
supported by the British Council and more recently by the Genesis
Foundation, who also support the production of international plays.
The international Department has been the recipient of a number of
awards including the 1999 International Theatre Institute awards.
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