I hope you enjoy my thoughts and ideas as I journey into the world of digital design for my Fda and now my Ba
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Monday 28 November 2011
Final Thoughts
On some levels I found this assignment out of my comfort zone compared with the last. The only thing I have drawn in illustrator would have been a box!. I feel that while a have a vastly better understanding of illustrator I can see that there is so much more to learn. The use of layers and stacking of parts of the image was the biggest revelation to me and once I felt I understood that aspect it made things easier. I enjoy every aspect of the assignment. The research, the exposure to many designers I had never heard of, the thought process for the design and lastly the generation of the poster.
Crit
I enjoyed the crit. I
found it very interesting to see the final work of every one in the group. I
felt that their citric was very helpful in refining my posters to gain a better
finished results. Some of the thing they felt needed to be changed were the toning
down some of the colours used on the fonts. Changing the font to a narrower
type more in keeping with other works of this designer. On one other of the poster they felt
that it needed a few embellishment to make the image stronger. This included
cracks in screen and a kink in the shadow. On reviewing my work I felt that all
the changes were for the better. It was good to get input from others in the
group this helped to reaffirm and enhance my design decision.
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After the style of Tom Eckersley c1947 |
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After the style of Tom Eckersley c1947 |
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After the style of Abram Games c1946 |
Sunday 27 November 2011
Inspiration from Abram Games
After viewing the work of many graphic
designer post 2nd world war it was this poster by Abram
Games that seem to resonate with me. I love the strong angular image
of the man face. The way he has used many different gradients to
describe its contours. The poster appeals to a different world. The
war has ended but the army still need men. You are not being asked to
fight for King and Country, but to do a worthwhile job in the
services of his majesty. You could be proud and strong like the image
of this man in the poster. Though the man is not looking skyward blue
sky’s and better days are ahead. We are reminded of the danger of
the job in the army as the man is wearing a helmet.
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Working through the idea in illustrator. |
I did not believe I had the skill set
to be able to reproduce this image and morph it into a poster to
highlight an aspect of social media set out in the brief. But I was
determined to try and could not stop until I had made a passable
facsimile. I hope you feel that I have achieved something in that
direction.
Wednesday 23 November 2011
More Designers
Lewitt & Him
In 1933 Jan Lewitt and George Him set
up a design partnership in Warsaw. In 1937 the undertook a commission
in England. With the outbreak of the war they stayed. They undertook
commission for the Ministry of information , Post office and the
Ministry of food. After 1954 the went their separate ways Jan Lewitt
into fine art and George Him continued to work on his own as a
graphic designer.
References George Him. Jan Lewitt.
Han Schleger
Along with Lewitt and Him England
became Han Schleger adopted country becoming naturalised in 1938.
Born in Germany to a jewish family in 1898. He began his career
designing publicity material and film sets for the film company
Hagenbeck. After working in New york return to Berlin to work for the
English advertising agency Crawfords as art director. When Hitler
came to power he emigrated to England. Well know for his post WW2
corporate identity designing for ICI, the British sugar corporation,
Fisons pest control and John Lewis. During the war he designed poster
for London Transport, General post office and government propaganda.
In 1954 he set up his own consultancy.
References Hans Schleger
Born Abraham Gamse in Whitechaple
London in 1914. His father was a latvian photographer and his mother
Sarah a seamstress was born on the boarder of Russia and Poland.When
Abram was 12 his father anglicised the family name changing it from
Gamse to Games. He left school at the age of 16 and went to
St.Martins School of art. Disillusioned by the teaching he left after
2 terms. In 1935 won a poster competition for London City Council. He
work between 1936 -40 as a freelance poster artist. From 1942 work as
official war artist designing 100 or so posters. His clients included
,Shell,Financial Times Guinness, British airways, ElAl United
Nations. He work for over six decades, dyeing in 1996, his work is
essentially a record of era social history.
I have also included a more links to two videos.
The first is a short extract talking about Abram work.
The first is a short extract talking about Abram work.
The second is video using Abram images.
Reference Abram Games
Monday 21 November 2011
Tom Eckersley
I look at many different designer from
that period The first Is Tom Eckersley. He was born in Manchester in
1914 and had a long and distinguished career in graphic design. He
design his first poster in 1935 and continued until 1995. He made an
important contribution to design education, teaching at the London
College of Printing from 1954.
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Tom Eckersley |
Running left to right, World Wildlife Fund concert at the Barbican London 1986. Keep Britain tidy campaign
1963. The kings troop, The royal artillery Museum 1977. Lost property
for Transport for London 1945.
The poster above is from a campaign for
the Royal Society for the prevention of accidents c1947. This
highlights some of the design elements that I like in Tom Eckersley
design. There are only a few elements to the poster, The simple
representation hammer and nails. The shelf they are sitting on. The
Man and his shadow, the shadow could also be a representation of a
man fallen over, hit by the hammer. The stylised shadow of the shelf
pointing at the man. The perspective giving you a feeling of height.
Lastly the text “ Stow tools safely” and “Watch out for the
man below”. With the Man below in brown to accent the massage. The
simple and effective text can be read as individual messages and
you would still get the clear understanding of the poster.
Saturday 19 November 2011
Mood Board
After doing some research I settled on the period just as the war ended to the mid 1950's. I made a mood board which contained some aspect of life at that time. Money, train tickets, examples of chocolate rappers. A selection of art works and posters. Petrol coupons and ration books, rationing did not end until 1954.
First ideas
I started to think about the word "Facebook" and drew the first things that came into my head. A face cut out of a book.
I thought about a face made up of book in the back of my mind the room made by Salvador Dali of Mae West.
My next thought was of many faces coming out of the pages of a book and lastly mug shot as a foldout leaflet.
I returned to my first idea and turn the idea round having the pages at the back of the head.
I thought about a face made up of book in the back of my mind the room made by Salvador Dali of Mae West.
My next thought was of many faces coming out of the pages of a book and lastly mug shot as a foldout leaflet.
I returned to my first idea and turn the idea round having the pages at the back of the head.
Thursday 10 November 2011
Poster analysis.
Use
spades not ships by Abram Games (1914-1996). The poster, designed in
1945, to promote home grown food rather than imported food, brought
to England by ships. The shape of the spade has a dual use. The
right-hand side is a ship with waves following the line of the
horizon. The left-hand side is a spade with the land in contrast to
the sea and plough farrows running vertical in the poster. The shaft
of the spade is wooden and on the ship side the funnel of the ship is
in shadow, giving a hint that smoke is coming out of it. In the
centre of the ship/spade is written use spades not ships. Spades
written on the spade side and Ships on the ship side to reinforce
the image of ship and spade. Written at the base of the poster is
written “Grow your own food” and in smaller text “and supply
your own cookhouse”. “Your Own” is highlighted in yellow to
emphasise the words and smaller underneath to reinforce the massage
of the poster.
This poster was created by Tadeusz
Trepkowski (1914-1954) in 1952 two years before his death at the age
of 40. During the 1950's the threat of international conflict
inspired many to promote peace. The poster evokes memoires of the
destruction brought on poland, Tadeusz, native country during the
second world war. The bombing was so great in Warsaw that only one in
four buildings remained standing. The background of the poster is
blue, giving you a feeling of sky. The Bomb has been place in the top
of the picture. This gives the impression that it is falling into the
bottom of the picture, and at the same time the sense of movement
compels you to move your eye to read the text. The Bomb has a dual
role in the poster not only is it a Bomb, it also acts like a window
showing us the destruction it is about to cause. The buildings and
the sky inside the Bomb are predominantly red, reinforcing the sense
of death and destruction. As your eye follow the trajectory of the
bomb, we see the word NIE!, and it's a word that seems to shout out
from the poster: NO!
Sources:-
The Museum of Modern Art New york.
Friday 4 November 2011
History
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The Times 1805 51cm x 38 cm
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International Exhibition of Antwerp 1885 typo-Lithograph 225cm x 120cm |
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Renine de joie par victor (1892) by Henri de Toulouse -Lautrec, poster to publicise a novel. |
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L'Aureole du midi (1893) by Jules Cheret advertisement for lamp oil.
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Looking at an advertisement from the late 1800's we can see
that design and content have become important. The poster has been created to a
specific brief and is now developing it's own language to get its message
across.
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1 2 3 |
At the
start of the 1900’s the language of design was utilised in the propaganda
created in many nations during the First World War. Each country employed
imagery and text that would appeal and generate a reaction in their own
countries. 1. Keep the bloody
boots off the USA and buy war bonds to help the war effort. 2. The Red army
needs your money with Freedom loan. 3. British propaganda to encourage men to
leave their families and go to war.
Thursday 3 November 2011
Printing
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The Altamira Cave painting in northern Spain. Paintings from the Lost Tomb of Nebamun |
The
visual image has always been important in the communication history
of man. From the cave paintings of the early man to the wall
decoration of the tombs of the Pharaohs. With the advent of moveable
metal type (Johannes Gutenberg 1440), for the first time mass production of books was
possible. The draw back of the movable metal type was that it
required a heavy weight to press the paper into the inked type. Although it was good for type it was not so good for images, because of the size of the press it
limited the size of the paper to be printed on.
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Gutenberg
press and metal type.
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It
was not until the discovery of the lithographic printing process
(Aloys Senefelder 1794), and his drive was to come up with a process
that was cheaper than early types of printing. Larger than book sized
prints and images were able to be printed.
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Lithography press for printing maps and Lithography stone and mirror-image print of a map of Munich |
The
litho process exploits the fact water and oil repels each other.
Originally
an image is drawn into a coating of wax or an oily substance applied
to a lithographic stone usually limestone and this is the medium that
transfers the ink to blank sheet of paper, producing a printed page.
This
process allowed for multi pass printing and the advent of colour
printing.
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